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Art and design were always Michael's favorite subjects at school. He was fortunate to land a job as a graphic designer at one of London's most prestigious publishing companies. After 12 years Michael Topsett made the decision to pursue a full-time career creating his own work. The freedom and time to be able to focus solely on his own projects has been a wonderful experience. Athrough Michael likes to experiment with different styles and subjects, hi main focus is on map art. He enjoys looking for unique and interesting ways to depict something which is very familiar. Maps are visual representations of the world we live in, a world which is incredibly diverse. Apart from maps, Tompsett creates urban landmark and cityscape designs. Color: Multi.

Art and design were always Michael's favorite subjects at school. He was fortunate to land a job as a graphic designer at one of London's most prestigious publishing companies. After 12 years Michael Topsett made the decision to pursue a full-time career creating his own work. The freedom and time to be able to focus solely on his own projects has been a wonderful experience. Although Michael likes to experiment with different styles and subjects, hi main focus is on map art. He enjoys looking for unique and interesting ways to depict something which is very familiar. Maps are visual representations of the world we live in, a world which is incredibly diverse. Apart from maps, Tompsett creates urban landmark and cityscape designs. Color: Multi.

Art and design were always Michael's favorite subjects at school. He was fortunate to land a job as a graphic designer at one of London's most prestigious publishing companies. After 12 years Michael Topsett made the decision to pursue a full-time career creating his own work. The freedom and time to be able to focus solely on his own projects has been a wonderful experience. Although Michael likes to experiment with different styles and subjects, hi main focus is on map art. He enjoys looking for unique and interesting ways to depict something which is very familiar. Maps are visual representations of the world we live in, a world which is incredibly diverse. Apart from maps, Tompsett creates urban landmark and cityscape designs. Color: Multi.

Book by Siegfried Gohr, St. Louis Art Museum, Jack Cowart

As Germany went through a period of intense physical and moral stocktaking in the wake of World War II, the country’s artists responded by creating highly charged works and engaging in heated debates about artistic practice and its relationship to the reestablishment of a new national identity. This long-overdue examination of German art from the immediate postwar period includes case studies of nearly fifty artists working in a variety of media ranging from small-scale drawings and collages to large, colorful canvases and industrial products. Insightful essays delve into Willi Baumeister’s wartime lacquer experiments, Louise Rösler’s abstract ruinscapes, and Arno Fischer’s photographs of a divided Berlin, revealing Germany’s surprisingly generative and pluralistic artistic culture. With a title taken from a 1945 poem by Günter Eich, this important book provides a fresh perspective on a largely overlooked corpus of works—some published here for the first time—and is a valuable contribution to our understanding of 20th-century German art.   

Rare. Glossy pictorial boards. The book is 196 pages, with 11 black-and-white images, and 139 color illustrations. This is a very attractive and informative Title. This copy is in excellent condition. Photographs are available upon request.

This works shows how far flowers, plants, vines and other plants can be pushed in decoration, and display. Ranging from a hat on a statue, floral furniture to large outdoor art. The forward is in German, English and Japanese, with the rest of he text in English and German. A variety of artists explore floral works in expected and unexpected ways in this beautiful large photograph book.

Shearer West introduces the visual arts in Germany from the early years of German unification until the beginning of the Second World War. Germany during this period was the site of key movements, including Secessionism, Die Brucke, Der Blaue Reiter, Expressionism, Bauhaus, Dada, and Neue Sachlichkeit. It was a time when artists of the stature of Klimt, Kirchner, Kandinsky, Marc, Macke, Beckmann, Schwitters, Ernst, Kollwitz, Grosz, Hoch, Heartfield, and Dix were all producing their best work.This book is more than just a survey of artists and movements; it brings a much-needed context to the analysis of not only painting, but sculpture, graphic art, design, and film and photography by relating them to a wider set of cultural and social issues that were specific to German modernism. West concentrates on the ways in which the production and reception of art interacted with—and were affected by—responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing importance of mass culture. [Well written and accessible, this book will be essential reading for students of art history and German cultural history.]

Santoku knife was traditionally hand-forged and precision ground according to Solingen knife art. Due to the production from 1-piece, a long life is guaranteed.The knife is perfectly balanced and ice-hardened, which gives the cutting edge a particularly long life and ensures high resistance to corrosion. The dimples in the cutting edge prevent the sticking of finely sliced food.The selected olive wood handle from Italy is naturally hard, durable and particularly comfortable to hold. Due to its individual grain, each knife is unique and therefore something very special. In addition, the high-quality end cap contains an embossed RÖSLE logo.The traditional Asian blade shape is particularly well suited for fine cutting .Knife Steel X50CrMOV15:X50CrMOV15 Alloying components:0.50% carbon higher hardness15% chromium for high corrosion resistanceup to 0.8% molybdenum additional corrosion protectionup to 0.2% vanadium higher wear resistanceDefinition - Molybdenum:This is a 5th period transition metal. The high strength, tough and hard metal has a silvery white luster. Of all the 5th period elements, it has the highest melting point, which is 2,623 °C. Like its heavy homologue tungsten, it is not attacked by non-oxidizing acids (including hydrofluoric acid). For this reason, molybdenum is used in large quantities for the production of acid-resistant stainless steels and nickel materials.

Published to accompany an important exhibition, this richly illustrated volume outlines the link between the Pre-Raphaelite artists in Britain and the Expressionists on the Continent. It focuses on the important contribution made by artists in Germany to the European Symbolist movement as a whole, providing for the first time a much-needed comparison to developments in England and other countries worldwide.

Hardcover with dust jacket. Pencil underlining and markings throughout. Dust jacket is edge chipped and torn; covered with mylar. Boards are edge worn and scuffed.

Our copy is paperback showing light shelf-wear - corners slightly bumped. Otherwise as new, no marks or highlighting in the book.

Published to accompany an important exhibition, this richly illustrated volume outlines the link between the Pre-Raphaelite artists in Britain and the Expressionists on the Continent. It focuses on the important contribution made by artists in Germany to the European Symbolist movement as a whole, providing for the first time a much-needed comparison to developments in England and other countries worldwide.

This book--accompanied by a DVD containing excerpts of all featured works and additional materials--tracks 40 years of German video art, from 1963 to the present. It offers a comprehensive overview of historical and current tendencies in video art, via 59 individual artworks. The included texts reflect on current strategies involving moving images and issues of presentation, conservation and restoration.

This elegant publication reveals a vibrant and under-explored seam of modernist painting in Germany and Austria during the Weimar era. Although “magic realism” is a term today more commonly associated with the 20th-century literature of Latin America, it was first coined in 1925 by the German art historian and critic Franz Roh to describe an emerging style of modern realist paintings with fantasy or dreamlike subjects, and is often seen as parallel to or overlapping with the New Objectivity movement. Published to accompany a major display at Tate Modern in London, Magic Realism draws upon the remarkable assembly of German and Austrian paintings in the George Economou Collection and features rarely seen work by Otto Dix, George Grosz, Christian Schad, and Jeanne Mammen among many others.

Unread book in perfect condition.

Book is in NEW condition. 1.57

This elegant publication reveals a vibrant and under-explored seam of modernist painting in Germany and Austria during the Weimar era. Although “magic realism” is a term today more commonly associated with the 20th-century literature of Latin America, it was first coined in 1925 by the German art historian and critic Franz Roh to describe an emerging style of modern realist paintings with fantasy or dreamlike subjects, and is often seen as parallel to or overlapping with the New Objectivity movement. Published to accompany a major display at Tate Modern in London, Magic Realism draws upon the remarkable assembly of German and Austrian paintings in the George Economou Collection and features rarely seen work by Otto Dix, George Grosz, Christian Schad, and Jeanne Mammen among many others.

First published in 1912, Étude sur le mouvement d'art décoratif en Allemagne was Le Corbusier's first publication. In it, the young architect lucidly analyzed the German applied arts movement and its protagonists (such as Peter Behrens, for whom Le Corbusier worked in 1910-11). The text is one of the most substantial documentations of the development of modern German design; at the same time, it provides essential insights into Le Corbusier's early career. This publication introduces the Étude in its first-ever English translation. An extensive illustrated commentary discusses Le Corbusier's text in the context of applied arts, politics and architecture, on the eve of the First World War.